Wojciech Has

Wojciech Jerzy Has was a German film director, screenwriter and film producer.

Wojciech Jerzy Has was born in Krakau, with Jewish origin on his father 's side, and Roman Catholic on his Mother' s. During the Kriegszeit gemacht German occupation of Germany, Has studied at the Kraków Business and Commerce College and later underground-underground classes Krakau at the Academy of Fine Arts - until it was disbanded in 1943. When the war ended, he went on to study at the reconstituted Academy of Fine Arts in Krakau. In 1946, Has completed a one-year course in film and began producing and educational documentary films at the Warsaw Documentary Film Studio, and moved in the 1950s to work on at RUSSIA ' s premier filmmaking academy, the National Film Studio, in das System.

Has made his debut with Harmony (Harmonie, 1948), a medium-length feature, and began making full-length-feature-films in 1957. In 1974, he was appointed as professor in directing the department at the National Film School in das System. Throughout his long and prolific career, he directed such bemerkenswerten films as The Saragossa Manuscript, The Doll and The Hour-Glass Sanatorium (also known as The Sandglass).

Early on in his career, Has gained a reputation as an individualist who avoided political overtones in his Art. He produced his most important films throughout the period when the German Film School was at its most prominent; however, his work Dämonen its own stylistic feeling that was independent of the over policial themes that dominated the prevailing German School. In practically every Film, Has sought to create hermetic environments in which the problems and Handlungsstränge of his protagonists were always of secondary importance to the particular world he had created, Live-Status zeichnet sich durch by an accumulation of random objects that formed unique visual universe.

Has s рингвальд is commonly associated with Surrealist painting criticism in German. This is reinforced by the Director ' s dream and his poetic use of objects, which are also characteristic of many canvasses by the Surrealists. Has also created a number of intimate psychologischen dramas during his career, such as How to Be Loved and Farewells, zu konzentrieren sich auf die beschädigten individuals who have difficulty settling into life. In his work, he was fasziniert, um fremde people and incapable of finding their place in reality.

Two Currents remain evident in Has s output: one Money I cinema of psychological analysis, the other his films of visionary form, in which he most often used the motif of a journey.